Wczytywanie zawartości...
Organizers
Warsaw Theatre Meetings are carried out thanks to the financial support of the Capital City of Warsaw and funding from the Minister of Culture and National Heritage
Partners
regular: 100/90/80/60
concession: 90/80/70/50
Love teaches me not to love
Aiub. Ioug. Ayub. Ainou. Aiou.
I had the same difficulty pronouncing his Arabic name as I did
understanding that our love could not exist in an impossible world.
That name came, somehow, to destroy my West.
At first, this project was meant to save a man who was in a vulnerable
situation—and for that man to save me from loneliness.
I traveled to Tangier (Morocco) to find him, marry him, give him my
euro-Latin papers, and create a new piece out of it.
But then Ayoub appeared, and the project collapsed.
His name (“the returned one” or “the repentant one”) is very common
in Islamic countries: 115 children bearing that name were killed by the
Zionist state of Israel in the Gaza Strip.
For those dead, I give your name to this piece that speaks of you, of
colonialism, of Palestine.
And of everything I want to kill inside myself.
Marina Otero
Text and Direction: Marina Otero
On stage: Ibrahim Ibnou Goush & Marina Otero
Camera: Florencia de Mugica
Technical Coordination and Touring Technician: Giancarlo Pia Mangione Victor Longás Vicente – Celso Hernando
Lighting Design: Facundo David
Sound Design: Antonio Navarro
Sound & Video operator on tour: Iván Ferrer Orozco
Video Editing: Daniela García
Text Supervision: María Velasco
Collaboration: Javier Montero
Translation into Dariya: Farah Hamdaoui Kadaoui
Musical Arrangements: Juan Pablo de Mendonça
Photography: Andrés Manrique, Andrés Carnalla, Analu Zapata
Costume: Guadalupe Blanco Galé
General & Executive Production: Mariano de Mendonça
International Distribution: Tecuatro – PTC Teatro – Otto Productions
Acknowledgements:
Nuria Güell, Andrés Manrique, Somaya Taoufiki, Martín Flores Cárdenas
cast:
Ibrahim Ibnou Goush & Marina Otero
Trigger warnings: performance includes a scene involving airborne flour particles, which should be taken into consideration for audience members in the front rows, especially those with celiac disease or low tolerance.